@1 day ago with 3941 note and 19713 play

neilcicierega:

fravit:

neilcicierega:

It’s a cool place, and they say it gets harder

You’re bundled up now, wait ‘til you get better

this is the best smash up yet

Great news, Smash Mouth posted a link to this on their facebook and twitter.

this is now eggfficially a Smash Mouth sanctioned remix

(via drawtosurvive)

@1 day ago with 15201 note and 128310 play

jessanmiramon:

I Wanna Be Sedated | The Ramones

(via x-battlescars)

@2 days ago with 6228 note and 17097 play

mileyismyidolf:

MILEY CYRUS -4x4 feat nelly   *———-*

@4 days ago with 16 note and 133 play

thismysfit:

weirdgirlsseries:

All-girl barber shop quartet nails it!

Reblogging again just to emphasize: These ladies are singing an extreeeeemely complex arrangement, and their intonation and tempo is so clean it shines. I just. Can’t. Stop. Watching it.

(via nareecethebeast)

@5 days ago with 99277 notes

scorsece:

25 instrumental tracks that make me unreasonably emotional aka i just really freaking love film scores

+ listen +

(via desultoryjester)

@1 day ago with 3750 notes

Britney Spears - Toxic (Alternate Version With A New Intro/Vocals)

(Source: a-sorta-fairytale, via shingetsuvector)

@2 days ago with 21943 note and 177483 play

tracionn:

bustyasianwinchesters:

aggressively throws cabin pressure theme music at tumblr

Aggressively loves the aggressively thrown cabin pressure theme music.

(Source: caanibal, via hailtothedeerlord)

@4 days ago with 3450 note and 15885 play

cousinmaeby:

Fear and Loathing on Long Island | Latterman

I know we’ll be okay one of these fuckin days.
But I know, and I know,
There will be those up and downs no matter where we go.

(via derekblaise)

@4 days ago with 226 note and 531 play

catbountry:

robotlyra:

stevenwallaby:

claudefelixfloor:

711kid:

what the fuck

this is the scariest shit i’ve ever seen in my life

This is so cool. Eat Otomo Yoshihide’s heart out.

I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.

Whoa.

(Source: ipissedinyourmountaindew, via sexhaver)

@6 days ago with 12897 notes